She gains some autonomy during her final story moments, but she’s largely positioned as another of Snake’s tactical tools.
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Like them, Quiet is largely free of personality. She follows the tradition of Guns of the Patriots’ Beauty and the Beast Corps.: a group of antagonist pin-up models, only humanized through radio calls describing their back stories after they’d been defeated. Quiet, despite the complicated loyalties she displays at the end of her character arc, is different. They held power on the same level as-and independent of-the game’s men. They had complex motivations and spent the game making constant decisions of their own accord, free of the player’s control. More important than plot rationale, these characters also possessed agency. (This excuse does wear thin as it’s repeated in Guns of the Patriots, where Naomi is turned into an undercover femme fatale, too). Eva may keep her jacket unzipped to her navel, but she’s meant to be seducing Snake throughout the story.
All the same, these characters had a depth that compensated for their plunging necklines and the camera’s tendency to linger on their bodies far longer than their male counterparts.
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Naomi Hunter, the series has long been known for keeping the women of its cast in various states of undress. From Metal Gear Solid’s Sniper Wolf to Snake Eater’s EVA and Guns of the Patriots’ rendition of Dr. Previous Metal Gear games have featured characters with similarly sexualized design.
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